That's right, the new website and all its content is uploaded and ready to go, it will launch today 12:00pm AEST.
It's been a crazy week, trying to get my head right after losing my saxophone to some junkie dude who is probably trying to hock it as we speak, but life goes on - they can take away my sax but they can't take away my ability to play it.
Well see you on the new blog in a couple of hours! Thanks blogspot for getting me started :)
Ciao!
Friday, March 16, 2012
Saturday, February 11, 2012
New Website coming soon!
Hello everyone!
just letting you know that this blog will soon become redundant as I have designed a new website which will contain a blog there, really exciting stuff for me!
I've now decided to split my website in 2 for photography content and music content, which is really exciting, it'll take me a couple of weeks (hopefully 1) to get my act together and publish enough material for both sites!
The layout looks really great and I can't wait for you to see all of my latest work, as I hadn't updated that site for at least 18 months, happy days. I will say however the potography site will contain pictures of many musicians and DJ's who work within the Sydney scene - I've been so privileged to have photographed them - they are all amazing at what they do.
See you on the flip side!
p.s. for all you stickybeaks you can have a look at my new logo on the holding page at www.markmatthews.com.au
just letting you know that this blog will soon become redundant as I have designed a new website which will contain a blog there, really exciting stuff for me!
I've now decided to split my website in 2 for photography content and music content, which is really exciting, it'll take me a couple of weeks (hopefully 1) to get my act together and publish enough material for both sites!
The layout looks really great and I can't wait for you to see all of my latest work, as I hadn't updated that site for at least 18 months, happy days. I will say however the potography site will contain pictures of many musicians and DJ's who work within the Sydney scene - I've been so privileged to have photographed them - they are all amazing at what they do.
See you on the flip side!
p.s. for all you stickybeaks you can have a look at my new logo on the holding page at www.markmatthews.com.au
Tuesday, November 29, 2011
The Lansdowne Jam
Every Monday night in Sydney a bunch of my friends head out to the Lansdowne Hotel to hang out, drink, and play together - I guess it's like our industry night - time where we can catch up on who's doing what. Daniel Goodacre aka "Danny G Felix" runs the night, accompanied by some very heavy muso's, playing a variety of soul, funk, hip hop, bit of jazz, reggae. Primarily though what I love about it is that music is music, and many of the musicians who come have very different muscial backgrounds, but all come together to listen and play. If you're a muso (or even not!) and not doing anything on a Monday night this IS the place to be!
Luckily enough for me the Lansdowne called me up to take some snaps of the band to help them promote Monday Jams - here are a few of them from last night.
The Lansdowne

Luckily enough for me the Lansdowne called me up to take some snaps of the band to help them promote Monday Jams - here are a few of them from last night.
The Lansdowne

Sunday, November 6, 2011
Botanical Statments website launch
A couple months ago I did a shoot for Tracy Hughes and her company "Botanical Statements". I was fortunate enough to shoot her product, it was a great learning experience for me.
Today she launches her website, take a look, I'm sure you will be impressed with her creations as much as I was, check them out here:
www.botanicalstatements.com.au
Like them here on Facebook
Today she launches her website, take a look, I'm sure you will be impressed with her creations as much as I was, check them out here:
www.botanicalstatements.com.au
Like them here on Facebook
Thursday, October 27, 2011
Dave Jackson photoshoot
The other day a good mate of mine Dave Jackson calls me up looking for some new promo photos for himself and his band, I was more than happy to help out a mate and spent a couple hours taking some new images for his profile. Dave was looking for a tunnel to shoot in and I suggested we go to this cool little tunnel tucked away in Glebe, and it turns out it was exactly what both of us were looking for.
Dave is an incredible saxophonist and can be found deep seeded in the Sydney Jazz scene, in 2009 he was one of the finalists at the Wangaratta Jazz Festival National Jazz Awards, you can find out more about Dave at his website: www.davejacksonmuic.com
Dave gave me permission to put up some of my work for my blog and I'm very happy to share these with you - most of these shots were achieved with one flash and a little bit of colour manipulation in Lightroom, to give it a darker, edgy kind of look…
Dave is an incredible saxophonist and can be found deep seeded in the Sydney Jazz scene, in 2009 he was one of the finalists at the Wangaratta Jazz Festival National Jazz Awards, you can find out more about Dave at his website: www.davejacksonmuic.com
Dave gave me permission to put up some of my work for my blog and I'm very happy to share these with you - most of these shots were achieved with one flash and a little bit of colour manipulation in Lightroom, to give it a darker, edgy kind of look…
Friday, October 14, 2011
Dasein: The Art of Being - Chase Jarvis
Please take 7 1/2 minutes out of your day and do yourself a favour. Watch. This. Video.
I know I go on and on about Chase Jarvis, but he really is a visionary for the modern artist. So many of my thoughts on photography align with his concepts and philosophy - if you are someone who is an artist whether it is music, photography, art, dance - it all makes sense when you realise that creativity is the key to our lives.
MM
I know I go on and on about Chase Jarvis, but he really is a visionary for the modern artist. So many of my thoughts on photography align with his concepts and philosophy - if you are someone who is an artist whether it is music, photography, art, dance - it all makes sense when you realise that creativity is the key to our lives.
MM
Thursday, October 13, 2011
Magic Hour
Every day there is somewhere in the world where without fail there is a phenomenon photographers like to call "magic hour" or "golden hour" (I like to use the term magic hour because golden hour just sounds too much like golden shower...) This is basically where the sun gets ready to set and the afternoon light gives off a golden hue, which also happens in the morning at sunrise - it's a great time for photos but can be as cheesy as sepia if it isn't done well.
This continues on my unashamed obsession with light - I love it!
Good spots in Sydney for magic hour:
- Spit Bridge, Mosman - yeah just ridiculously good.
- Parramatta Road, Camperdown-you can position the sun in a way where all the traffic goes into silhouette - try a fast shutter for this one.
- Kent St side of the city - really interesting shadows cast on buildings
- The old bridge at Northbridge - I don't know how good that is yet, dying to do a fashion
shoot there though!
- The airport?? I haven't tried yet but I reckon you'd get something cool there...
Try mixing some flashes in for interesting results!
This continues on my unashamed obsession with light - I love it!
Good spots in Sydney for magic hour:
- Spit Bridge, Mosman - yeah just ridiculously good.
- Parramatta Road, Camperdown-you can position the sun in a way where all the traffic goes into silhouette - try a fast shutter for this one.
- Kent St side of the city - really interesting shadows cast on buildings
- The old bridge at Northbridge - I don't know how good that is yet, dying to do a fashion
shoot there though!
- The airport?? I haven't tried yet but I reckon you'd get something cool there...
Try mixing some flashes in for interesting results!
![]() |
| Hunter Valley sunset |
Friday, October 7, 2011
You frustrate me because...
I did say at the very beginning of writing this blog that I would share with you the ups and downs of my experiences in being a photographer, today's will be a downer - so if you're not into getting depressed I suggest you look away and wait till the next blog which will be much happier haha.
Today I took a breather. I wanted to have a look around at what's going on around me, who's doing what etc etc. It just makes me think though how many others are doing the same thing as me. Sitting on youtube, watching tutorials, listening to other people's opinions, reading other people's blogs.
Photography is an immensely popular past time. So I guess for me it feels like sometimes photography is something we ALL do and love - as much as I love producing images I feel like there are literally thousands of others who have been there before or are experiencing what I am doing now.
So what makes me different from the rest of you? Nothing. I get so insanely jealous and critical of other people's work that it totally does my head in. What is that? Why can't I just be happy holding my camera and making the images that I see? What is this incessant need I have that I have to do something no one has ever seen - and when does that outweigh who I really am as a photographer? When do my images that are 'iconically' me stop being me and when do they start being photos for the sake of exploring new boundaries or pushing new limits. I know that most of my ideas and thoughts have been done before, I just mean the inner struggle of what it means to be a good photographer that has his/her own style/brand.
My honest feelings are that I am no where near where I want to be. I also honestly feel like I am hindered by my gear - I am shooting on a D300s with 50mm 1.8's and 35mm 1.8's when I should be shooting on full frame bodies with 35mm and 85mm 1.4's and a nice 14-24 2.8. But then I read the pro's blogs and they say that equipment is bullshit… Here we have a society driven by consumerism telling everyone you need the best gear to make the best images (Even Nikon said it last week on facebook - "a photographer is only as good as the equipment he uses" ?!? Who says that?!?) - then you have the pros saying all you need is an iPhone.
So what is it? I was supposed to have a day of relaxation and all it has ended up in is frustration. I'm frustrated by the thousands of different views by so many people, professional, amateur, beginner. I'm frustrated by the overflow of online forums and galleries where people post hundreds of photos per minute in a hope that we get a lucky break somewhere. I'm VERY frustrated by the camera companies who mislead people into believing that anyone can be a photographer if you buy their gear. I myself find this very blog disheartening because I only have 3 people subscribing to it and actually wonder whether anyone reads this at all. I'm not looking for a guilt trip, I'm just venting! ;)
What I find terribly frustrating is a very clear line in the sand between professional and amateur. The pros are more than ever so guarded about their profession because of the overflow of amateurs now entering the arena to take on the older boys and girls. I don't know what it's like for the rest of the world but in Sydney, well, Australia, I have no pros to aspire to, no one is as willing to talk and share like people like Chase Jarvis or Zack Arias or Jasmine Star. There is no one like that here in Australia.
With all of these people, pro, amateur, popular, unkown, where do I fit into all of this? Where do I sit? Pro? Amateur? I don't know. No professional recognises what I do - I have no status in the pro photographer's world yet. So when do I stop pushing my shameless self-promotion in people's faces just to get recognised? Where does all the noise stop and my photography is about me and no one else? That is probably my greatest frustration. The amount of crap I hear from all sides and not enough ENCOURAGEMENT. Too much biased opinion and not enough critical thinking. You cannot even begin to understand the amount of loneliness I feel from my peers. That alone makes me wonder if it's all worthwhile - it's all good when friends tell you great things, and I appreciate that so much, but other people who are photographers telling you that you are or you aren't on the right track - it helps so immsensly…
Ok vent/winge over. Sorry I put everyone through that!
And in celebration of taking shit images, here is one from my plethora of shit stock. Enjoy... or not.
Today I took a breather. I wanted to have a look around at what's going on around me, who's doing what etc etc. It just makes me think though how many others are doing the same thing as me. Sitting on youtube, watching tutorials, listening to other people's opinions, reading other people's blogs.
Photography is an immensely popular past time. So I guess for me it feels like sometimes photography is something we ALL do and love - as much as I love producing images I feel like there are literally thousands of others who have been there before or are experiencing what I am doing now.
So what makes me different from the rest of you? Nothing. I get so insanely jealous and critical of other people's work that it totally does my head in. What is that? Why can't I just be happy holding my camera and making the images that I see? What is this incessant need I have that I have to do something no one has ever seen - and when does that outweigh who I really am as a photographer? When do my images that are 'iconically' me stop being me and when do they start being photos for the sake of exploring new boundaries or pushing new limits. I know that most of my ideas and thoughts have been done before, I just mean the inner struggle of what it means to be a good photographer that has his/her own style/brand.
My honest feelings are that I am no where near where I want to be. I also honestly feel like I am hindered by my gear - I am shooting on a D300s with 50mm 1.8's and 35mm 1.8's when I should be shooting on full frame bodies with 35mm and 85mm 1.4's and a nice 14-24 2.8. But then I read the pro's blogs and they say that equipment is bullshit… Here we have a society driven by consumerism telling everyone you need the best gear to make the best images (Even Nikon said it last week on facebook - "a photographer is only as good as the equipment he uses" ?!? Who says that?!?) - then you have the pros saying all you need is an iPhone.
So what is it? I was supposed to have a day of relaxation and all it has ended up in is frustration. I'm frustrated by the thousands of different views by so many people, professional, amateur, beginner. I'm frustrated by the overflow of online forums and galleries where people post hundreds of photos per minute in a hope that we get a lucky break somewhere. I'm VERY frustrated by the camera companies who mislead people into believing that anyone can be a photographer if you buy their gear. I myself find this very blog disheartening because I only have 3 people subscribing to it and actually wonder whether anyone reads this at all. I'm not looking for a guilt trip, I'm just venting! ;)
What I find terribly frustrating is a very clear line in the sand between professional and amateur. The pros are more than ever so guarded about their profession because of the overflow of amateurs now entering the arena to take on the older boys and girls. I don't know what it's like for the rest of the world but in Sydney, well, Australia, I have no pros to aspire to, no one is as willing to talk and share like people like Chase Jarvis or Zack Arias or Jasmine Star. There is no one like that here in Australia.
With all of these people, pro, amateur, popular, unkown, where do I fit into all of this? Where do I sit? Pro? Amateur? I don't know. No professional recognises what I do - I have no status in the pro photographer's world yet. So when do I stop pushing my shameless self-promotion in people's faces just to get recognised? Where does all the noise stop and my photography is about me and no one else? That is probably my greatest frustration. The amount of crap I hear from all sides and not enough ENCOURAGEMENT. Too much biased opinion and not enough critical thinking. You cannot even begin to understand the amount of loneliness I feel from my peers. That alone makes me wonder if it's all worthwhile - it's all good when friends tell you great things, and I appreciate that so much, but other people who are photographers telling you that you are or you aren't on the right track - it helps so immsensly…
Ok vent/winge over. Sorry I put everyone through that!
And in celebration of taking shit images, here is one from my plethora of shit stock. Enjoy... or not.
![]() |
| this was 3 months ago - crappy, grainy, random focus, badly composed, badly lit shot. Dont worry I slapped myself after... |
Monday, October 3, 2011
A couple mates, bbq, beer, and a wading pool…
Today I got together with a bunch of very talented mates who have a band called the sax summit, who needed some press photos, check out their site:
These guys are serious about having a good time, and they have been gracious enough to let me show you a few images from the shoot, so here's a tiny sneak peek!! Many thanks to the boys for their creative and bold input, and thanks to Gin for being an amazing assistant!
These are just very quick and rough lightroom/photoshop edits so excuse the quality for now, I'll publish the finished product next week, enjoy!
Friday, September 30, 2011
Things I suck at Part III - telling a story - Chaos at the Carousel
One thing I suck at is trying to add depth to my photography. Trying to tell a story from 1 image seems to be a rather difficult for me - I love seeing interesting things but trying to make a story out of them is what I feel seems to be lacking.... anyway, so I found an interesting topic to cover last night.
Last night Gin and I were flying back to Sydney from Melbourne, amidst all of the Qantas debacle that was. Strikes from ground crew, wet weather unseen for Melbourne this time of month for almost 100 years. All of it was a mixture for disaster, Gin and I were lucky to even be on a flight as many were turned away being told to come back in the morning for a connecting flight. The result was chaos at the carousel - 4 Qantas flights landing late, along with 2 flights grounded with returning luggage and over 1,500 people searching for answers, I hope at least some of these images convey some kind of reflection on last night...
Last night Gin and I were flying back to Sydney from Melbourne, amidst all of the Qantas debacle that was. Strikes from ground crew, wet weather unseen for Melbourne this time of month for almost 100 years. All of it was a mixture for disaster, Gin and I were lucky to even be on a flight as many were turned away being told to come back in the morning for a connecting flight. The result was chaos at the carousel - 4 Qantas flights landing late, along with 2 flights grounded with returning luggage and over 1,500 people searching for answers, I hope at least some of these images convey some kind of reflection on last night...
Wednesday, September 21, 2011
Nikon releases "NIKON 1" Intelligent camera system
So nikon have just announced their new range of cameras to go up against the interchangeable likes of the Sony NEX range, Panasonic GF's etc etc. As exciting as this is for NO ONE (except all the people that think this type of camera will make them better photographers because you can change the lens on a point and shoot) there is a silver lining…

- It comes with an EXPEED 3 processor
- It can shoot at 60fps (electronically) and 5fps motor-driven (yeah no biggie my d300s does 8fps) but the electronic fps is interesting…
- A new 73-point focus system
- HEAPS of different movie modes with full HD
- The claim to have the world's fastest auto focus (not sure about that one… I guess so if you say so!)
These are major advances for Nikon and things could be looking very good for the next range of Nikon pro dslr's which are going to be released in the next 6 months or so… fingers crossed!
I just wish Nikon would bring out an electronic rangefinder that competes with the Fuji X100 pictured below - THAT I would buy!

- It comes with an EXPEED 3 processor
- It can shoot at 60fps (electronically) and 5fps motor-driven (yeah no biggie my d300s does 8fps) but the electronic fps is interesting…
- A new 73-point focus system
- HEAPS of different movie modes with full HD
- The claim to have the world's fastest auto focus (not sure about that one… I guess so if you say so!)
These are major advances for Nikon and things could be looking very good for the next range of Nikon pro dslr's which are going to be released in the next 6 months or so… fingers crossed!
I just wish Nikon would bring out an electronic rangefinder that competes with the Fuji X100 pictured below - THAT I would buy!
Insomnia
Recently I've been having sleepless nights, and I'm not sure what the problem is, but I'm thinking that maybe I should take advantage of this... Once again tonight was a sleepless night, and with a plethora of work to do I got out of bed and ended up where I am now, doing work at Maisey's cafe in Neutral Bay.
I had an idea last night that whenever I get into bouts of, well, for lack of a better word, insomnia, I should take advantage of this moment and go out on little night time adventures with my camera, see what I can find at 4am in the morning during the week. I am indeed a creature of the night at the moment, so why not document something out of it instead of loathing about the shit fact I can't sleep?
Have you had any weird notions or delusions of grandeur? I do, all the time, sad thing is 90% of the time they remain in my head, and never eventuate, like many of you I guess... sometimes I wish I had an off switch for my brain!
Peace. Out.
I had an idea last night that whenever I get into bouts of, well, for lack of a better word, insomnia, I should take advantage of this moment and go out on little night time adventures with my camera, see what I can find at 4am in the morning during the week. I am indeed a creature of the night at the moment, so why not document something out of it instead of loathing about the shit fact I can't sleep?
Have you had any weird notions or delusions of grandeur? I do, all the time, sad thing is 90% of the time they remain in my head, and never eventuate, like many of you I guess... sometimes I wish I had an off switch for my brain!
Peace. Out.
Tuesday, September 13, 2011
Who needs a DSLR? Part II
Only 4 days ago I discovered the wonderful world of Instagram, of course I am not the first - it has become such a cult following and I fought against the urge for so long, but now I'm hooked. It further solidifies the argument that you don't need an expensive camera to make good photos. It's a good way to "practice" things like composition without the need for lugging heavy cameras around, since instagram I am taking more photos and getting my photography practice in without having to make such a big deal of it. WIN I think...
Here are some links to great professional photographers who use their iPhones and instagram to produce some really cool work:
Chase Jarvis
Zack Arias (click on the "Instagram" link)
Sion Fullana
Here's some of mine from last weekend:
Here are some links to great professional photographers who use their iPhones and instagram to produce some really cool work:
Chase Jarvis
Zack Arias (click on the "Instagram" link)
Sion Fullana
Here's some of mine from last weekend:
Tuesday, August 23, 2011
Nic Jeffries Album Launch
Last Sunday I was privileged to be shooting Nic Jeffries' album launch at the Basement. It was an amazing turnout, packed audience to hear such a gifted young musician. Here is but a very small selection of shots from last Sunday. Many thanks to the Basement staff who didn't let me stay in one spot too long ;)


Friday, July 15, 2011
Help me select my new promo photos!!
As most of you know I am also a musician, and in that capacity I need photos to help promote my business as a solo artist. I REALLY don't like being in front of the camera, but I have to do it if I want to keep my dirty little photography habit going…
SO I'll leave a link on the bottom of this post, and you can go and have a look at my facebook page to have a look at the final 19 images I've selected. I'm trying to cull it down to three or four, so 'like' the pics you like out of that set - and the most liked images out of that set will go towards my promo images!
These were all taken with my camera and set up by me, just 1 grid spot taken in the lobby of my apartment, taken by my friend Erin Crawford, you can check out her awesome photos of Antarctica here.
here is the link to the photos: https://www.facebook.com/media/set/?set=a.170967652970621.41760.104005656333488
Thanks for playing!
SO I'll leave a link on the bottom of this post, and you can go and have a look at my facebook page to have a look at the final 19 images I've selected. I'm trying to cull it down to three or four, so 'like' the pics you like out of that set - and the most liked images out of that set will go towards my promo images!
These were all taken with my camera and set up by me, just 1 grid spot taken in the lobby of my apartment, taken by my friend Erin Crawford, you can check out her awesome photos of Antarctica here.
here is the link to the photos: https://www.facebook.com/media/set/?set=a.170967652970621.41760.104005656333488
Thanks for playing!
Tuesday, July 12, 2011
Playing with light Pt. II
This is not so much playing with light, well, it is a bit…
The more I delve into this newly found passion I have the more light interests me, rather than photography. So I guess in essence, "playing with light" as I have titled REALLY just means "experimenting with light" and various light sources. Kudos to Robert Lee for his CLS skills (sorry I stole your idea mate!) and to Keren Dobia for her tuition!
So last weekend I played at the Argyle, as I do every Saturday night (come down, it's fun!) and thought I'd take a few shots of Phil Hudson, the "Godfather" (baha). SO I thought I'd try a few different things with 2 speedlights and a set of pocket wizards to see if I can make something a little more unique than your everyday run of the mill "DJ in a club" shot.
The more I delve into this newly found passion I have the more light interests me, rather than photography. So I guess in essence, "playing with light" as I have titled REALLY just means "experimenting with light" and various light sources. Kudos to Robert Lee for his CLS skills (sorry I stole your idea mate!) and to Keren Dobia for her tuition!
So last weekend I played at the Argyle, as I do every Saturday night (come down, it's fun!) and thought I'd take a few shots of Phil Hudson, the "Godfather" (baha). SO I thought I'd try a few different things with 2 speedlights and a set of pocket wizards to see if I can make something a little more unique than your everyday run of the mill "DJ in a club" shot.
Wednesday, July 6, 2011
Things I suck at, part 2. Street Photography continued
So it has come to note that some people may think I'm being a bit too harsh on myself, I probably agree with you - I am a bit harsh, but I think I have mislead you all with the premise of the argument.
On a philosophical level I don't feel like I have street photography down to where I can say, yeah, "I'm good at it" I feel like there is so much to learn, and going out on my walk tonight revealed to me how much I still have to learn, so in that regard, yes, for now, I still suck at street photography. As Zach Arias so eloquently put it "Everybody sucked at one point."
So the other side of this is the stuff that I know, doing things that are not necessarily ground breaking, but abstract and/or interesting. I find that so much easier to shoot because it doesn't involve directly pointing a camera at someone.
But I still stand by my statement, street photography is something I suck at, only because I feel like there are so many questions to be asked - it such a subjective area, as is art - what interests me may be absolute shit to you, so what then? What makes what I shoot right? Is my image still a worthy image if there is no real intent behind it? What if I take a shot that I look at and someone on here says "this is the most incredible work I've ever seen!" Yes, highly unlikely I know. How can I truly be honest about my work when I don't really know what I'm doing (in terms of street photography).
How do I know if asking these questions before you see the images is going to change your view and opinion on these images?
Sometimes all I want in the world is to take photos, but it's the questions that I have aforementioned that hinder my experience - it's quite frustrating but I guess any artist goes through that type of thing, I have the same blocks as a jazz musician.
Enough questions now pictures.
So I like throwing off the perspective with my abstract stuff. Twisting it diagonal, turning it upside-down, turning it sideways... Is it wrong? I dunno, but it works in my mind:

On a philosophical level I don't feel like I have street photography down to where I can say, yeah, "I'm good at it" I feel like there is so much to learn, and going out on my walk tonight revealed to me how much I still have to learn, so in that regard, yes, for now, I still suck at street photography. As Zach Arias so eloquently put it "Everybody sucked at one point."
So the other side of this is the stuff that I know, doing things that are not necessarily ground breaking, but abstract and/or interesting. I find that so much easier to shoot because it doesn't involve directly pointing a camera at someone.
But I still stand by my statement, street photography is something I suck at, only because I feel like there are so many questions to be asked - it such a subjective area, as is art - what interests me may be absolute shit to you, so what then? What makes what I shoot right? Is my image still a worthy image if there is no real intent behind it? What if I take a shot that I look at and someone on here says "this is the most incredible work I've ever seen!" Yes, highly unlikely I know. How can I truly be honest about my work when I don't really know what I'm doing (in terms of street photography).
How do I know if asking these questions before you see the images is going to change your view and opinion on these images?
Sometimes all I want in the world is to take photos, but it's the questions that I have aforementioned that hinder my experience - it's quite frustrating but I guess any artist goes through that type of thing, I have the same blocks as a jazz musician.
Enough questions now pictures.
So I like throwing off the perspective with my abstract stuff. Twisting it diagonal, turning it upside-down, turning it sideways... Is it wrong? I dunno, but it works in my mind:

Things I suck at, part 1. Street Photography
So I thought today I might head out for a walk, and maybe walk into the city, bring my camera, take some photos of stuff that I find interesting...
DAMN that's hard. I found myself so preoccupied in my mind of what to take that I wasn't really taking anything of real relevance. I found myself in positions where I would question the moment, then walk away thinking "I should have taken that shot - it was a moment right in front of my eyes and I didn't capture it right then and there" Case in point after the break:
DAMN that's hard. I found myself so preoccupied in my mind of what to take that I wasn't really taking anything of real relevance. I found myself in positions where I would question the moment, then walk away thinking "I should have taken that shot - it was a moment right in front of my eyes and I didn't capture it right then and there" Case in point after the break:
Friday, June 10, 2011
Playing with light
So last weekend I went out to see some mates play, their area of expertise is mainly dance music and thought this could be an opportune time to show you some stuff I have been playing around with long exposures and on camera flash.
Most of these shots you see are set to a slow shutter of about 1-2 seconds, blurring most things, with the on camera flash set to burst thus capturing the subject completely still. It's a great effect I never get sick of...
I have also been inspired by JJ Abrams' use of lens flare on his movies, so I've been experimenting with a bit of backlight, as you can see in some of the following :)
Most of these shots you see are set to a slow shutter of about 1-2 seconds, blurring most things, with the on camera flash set to burst thus capturing the subject completely still. It's a great effect I never get sick of...
I have also been inspired by JJ Abrams' use of lens flare on his movies, so I've been experimenting with a bit of backlight, as you can see in some of the following :)
Thursday, June 2, 2011
Graduation Day!
My girlfriend Virginia had her graduation from her music education course last week, of course I had to bring my camera, so here are a few little keepers for you to check out! Happy graduation Gin!
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